Completed 2020, by Pete Lampe.
Inspired by an English bass by William Tarr, ca.1853
7/8 body, with a 41.25 inch string length. Eb neck. Easy to play, and get around. Not heavy for it's size.
Massive fundamental tone, with singing upper register arco. Very punchy and open feeling for jazz/pizz.
Extra long ebony fingerboard for soloists.
Very responsive in all registers. Loud, and projecting sound.
Northwest Big Leaf maple, neck, back, and sides. (aged over 20 yrs.) Highly figured 250 y/o Sitka spruce, (aged over 40yrs).
Expansive arching; Top and back are 28" across, and 2 pc book matched. Detailed workmanship throughout.
Rubner hat peg tuning machines. Handsomely inlaid purfling, on top and back.
Adjustable Despiu bridge. Heavy German endpin. Padded bag included.
Price $14,000
Inspired by my personal favorite German flat back, that has served me so well for over 30 years.
The 1905 is a 3/4 size flat back, has a 41.25 string length, fully carved, aged Maple neck, back, and sides. Aged Spruce top with ebony fingerboard an fittings.
Available with hand carved scroll/neck, or German trade scroll/ hand carved neck. Choice of machines.
This bass lives at the 1905 Jazz club, here in Portland, and be heard most nights, being played by the finest bassists in the world.
Twenty years a go, I purchased two huge slab maple boards (approx 2 inches thick), hoping to one day to make one piece back basses from them.
Here are pictures of the building process
Update: Well, the ISB convention went well. This bass received a silver medal for tone, and welcome reviews from players and makers, all around.
The sound really is something. Mature and rich, with a bow; while the round, punchy pizzicato penetrates in any ensemble.
ca.1947 Andreus Morelli (German) 3/4
Round Back. Carved, Violin corners. Excellent condition. Label reads Made in Germany "USSR occupied".
Strong focused sound pizzicato or arco. Played for many years in San Diego Symphony.
Also works great for jazz.
$14,500
1946 Kay 5 string #13726 "Chubby Jackson" model Excellent condition for its age. Very powerful with a low B/C, or a high C string. Great sustain and volume. Easy playing 5 string. Flamed maple veneer, w amber/orange finish. Currently set up with Spirocore strings. Padded bag. Asking $4,995.00. OBO
1990's Romanian 3/4 Flat back Gamba. Focused and projecting tone. Well constructed, and healthy.
Easy playing and very well set up. Honey amber varnish. Adjustable bridge, and endpin.
Padded bag. $3,800
Shen 3/4 Willow Flat Back 200.
(More Coming soon)
Fully Carved, willow back and sides. Spruce top.
These basses always have a punchy attack, with a round focused sound, that really penetrates in any musical setting.
One of my most popular (and hard to get) models.
Adjustable bridge, soft bag, fully set up, and adjusted.
$6,650.00
Shen Model 150 3/4 size Hybrid bass.
2 Violin corners 3/4
2 Gamba corner 3/4
Set up and adjusted, with D'Addario Helicore strings, adjustable bridge and padded gig bag.
$4,400.00
Shen Model 150 Gemunder 7/8 size Hybrid bass.
If a large orchestra (or Jazz) bass is what you are after, then this bass might be the one for you.
Strong, loud, and supported tone. The spruce top provide lots of sustain and overtones to the sound, while the laminated back and sides add to the ruggedness of this instrument.
Fully set up, adjusted, and ready for summer music making.
Comes with Shen padded bag.
$4,600.00
Pete's Upright Bass Shop of Portland, is proud to be Portland's exclusive source for Shen basses: The finest Chinese, student, basses on the market!
Model 80 size 1/8, 1/4, 1/2, 5/8, 3/4 (rental/rent to own)
Model 90 Blonde~ back ordered
Model 88 1/2, 5/8, 3/4 Hand oiled finish. upgraded veneer.
***ALL new Laminated basses are set up, adjusted and approved by Pete himself. includes: Expert fingerboard dress, with just the right amount of scoop. High grade maple adjustable bridge, upgraded endpin, with choice of D'Addario Helicore strings standard. And of course, a padded gig bag.
I also can vouch for Pete. I bought my Hungarian bass from him, it was made by a small luthier in Budapest, brought in by a relative here in the area. It was an upgrade from a fully carved Christopher which Pete sold for me in just two weeks.